Some spectators have broguing, a decorative perforation or edge cutting along the stitching or on the toe. This decoration is derived from a style of shoe called a brogue, which has its origins in the traditional footwear of Scotland. In fact, the name "brogue" comes from the Gaelic word for shoe -- brog.
The piece of leather that forms the toe is almost always dyed black or brown, and either shaped as a capped toe, or a wingtip toe. The shape of the toe defines the style of the spectator : a spectator with a wingtipped toe are called wingtipped spectators, or just "wingtips." The piece of leather that forms the back of the heal is always the same color as the toe. The pieces of leather, that form the shoe between the toe and the heal are often dyed white, but can often be found in many other color variations.
Note that when it comes times to get dressed, a black & white spectator is considered as if it were a solid white shoe. Likewise, a black & red spectator will be considered as if it were a red shoe, etc. Therefore, how you coordinate your clothes, and the rules of dress apply as if it were a shoe of that solid color. Thus, a black & white spectator (considered a white shoe) is strictly a late-Spring and Summer shoe because -- according to fashion rules of the early 20th century -- white shoes were to be worn only during the warmer and drier weather. The general rule: if it isn't between Memorial Day and Labor Day, then don't wear white shoes, including those black & whites. Additionally, if you were wearing black pants and a khaki shirt, then black & tan spectators will look far better on you than black & whites (which will just look rather tacky).
ORIGIN OF THE DESIGN
Before the days of the spectator, it was the style -- for many years -- to
wear spats. Spats were worn over the cuff of the shoe to accent the
color of the shoe and match the suit, while also protecting the wearer's
calves and ankles from dust and dirt kicked up while walking. Because spats
were relatively inexpensive compared to shoes, they allowed one pair of shoes
to be worn with a wide variety of colors and patterns. When spats went out
of style, the spectator came into style, leading some to believe that the
spectator's color design was an attempt to duplicate the look of spats worn
over a black shoe.
Another theory is that the black toe and heal was intended to hide any grass stains incurred from walking, while maintaining the white Summer dress shoes that was fashionable at the time. Specifically, these grass stains would be expected to be incurred by a spectator (the person, not the shoe) at the races or on the golf course.
THE SADDLE SHOE -- NOT A SPECTATOR
The saddle shoe is the opposite of a spectator. Where the spectator has a
light colored body with a black or brown toe and heal, the saddle shoe
has a black body dividing a white toe and a white heal. This style became
popular with teens, and college students, very late in the 1940's and during
the early rock-and-roll era of the 1950's.
WHO WORE SPECTATORS THEN?
Just about everyone, including swing and jazz musicians, gangsters, and Fred
Astaire dancing in the movies. You'll find, however, that few Lindy Hoppers
wore them on the social dance floor. Reasons for this include the fact that
many spectators, at that time, were made with hard leather soles, and
were too stiff to be comfortable to do the Lindy Hop in.
WHO WEARS SPECTATORS TODAY?
Most often -- today -- when someone is seen wearing spectators, they are
often associated with the swing music/dance revival of the 1990's and onward.
Although the spectator was not often worn by the early swing dancers
of the 1920's to the 1940's, the neo-swing crowd of the 1990's+ have adopted
the style as a signature of their lifestyle. It helps everyone identify each
other. Additionally, the flashier shoe draws more attention to the footwork
of the dancer, a statement unto itself.
Buy spectators at With A Swing